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Bristol Old Vic

Dead Dog in a Suitcase


July 2019


That's the way to do it

A mash of madness opened at the Bristol Old Vic on Tuesday night and OMG did it pack a punch.

From its conception even the name Dead Dog in a Suitcase (and other love songs) was controversial.

This black comedy is mucky musical hall with murder, mayhem and a dead dog.

Based (loosely) on The Beggar’s Opera or more appropriately inspired by the 18th century satirical ballad this is an avant-garde interpretation for anarchists and theatre lovers.

The programme warns ‘the performance contains the use of theatrical smoke and haze, strobe lighting, flashing lights, loud noise/sound effects, the use of imitation fire arms and strong language’ but even if I had read that beforehand it wouldn’t have diminished the shock reactions to certain scenes.

However, it is not for this reviewer to spoil the plot for you, suffice to say, it is all going to end badly.

Our teddy boy anti-hero Macheath (Dominic Marsh) is a murdering, lechering bigamist and his sidekicks are just as bad and certainly have no manners.

His love interests include pretty Polly Peachum (Angela Hardie) an accountant with a virginal persona; mum-to-be ninja Lucy (un)Lockit (Beverley Rudd) and a bevy of downtown, downtrodden ‘dancers for money’ who as an aside indulge in some sadomasochism with their upper-class customers.

My mind has a snapshot of the grotesque bondage person with the pig’s snout and exposed padded groin area which it won’t erase.

Polly’s parents Mr and Mrs Peachum are the common people with ideas of grandeur and making a quick buck. Dad (Martin Hyder) is bad – from his spoonerisms to Wallace & Gromit dress sense; mum (Rina Fatania) is worse – from her double leopard skin outfits to her quick-fire finale.

Ivana Trump makes an appearance as wronged Widow Goodman (Patrycja Kujawska) and Filtch (Georgia Frost) is the ‘accident’ prone stooge who almost steals the show.

There is visual commentary from a seaside Punch & Judy as the storyline is a parallel parody, fears about a contaminated pilchard factory and a comical three-card farce played out using plastic suitcases.

It is remarkable feat by the 13-strong Kneehigh theatre company to fill a stage with bad (wo)men, mad (wo)men and what I initially thought was an LGBT policeman Colin Lockit (Giles King).

My detective work was slightly off-kilter as he was just a corrupt officer wearing a tartan skirt who was prone to flashing his undercarriage.

This is Blood Brothers meets Usual Suspects mixed with the underbelly of Charles Dickens and Victor Hugo and laced with Spitting Image.

Add the dead dog, some shite and a canine tail stiff from rigor mortis and your get the gist of a must-see production and I haven’t even mentioned vote rigging, political demise, hangman, bananas or buzzing flies!

Every genre of music feature from sea shanties to folk, from rock ‘n’ roll to ska, punk and Henry Purcell and all is delectably delivered as solos, chorus or instrumentals.

With a dark industrial set and low life lighting the atmospherics are creepy but expectant – note arrival of the Cabbage Patch kids!

The gangster two tone fashion of the cast is perfect.

On Tuesday night the cast, backstage ‘boys’, musicians and everyone involved got a well-deserved standing ovations – probably the best theatre I have seen since Christmas Carol and I didn't put that in because I was sitting next to the festive play director as he told me he doesn't read them.

Carol Deacon

It plays until Saturday, July 13. To book click HERE. Further information and full cast details in preview below.

2. Dead Dog In A Suitcase Kneehigh c Ste

Dead Dog story based on Beggar's Opera satire at Bristol Old Vic

PREVIEW: The phenomenal Kneehigh production Dead Dog in a Suitcase (and other love stories) returns to Bristol Old Vic as part of its UK tour 
Mayor Goodman has been assassinated. And so has his dog. Contract killer Macheath has just married Pretty Polly Peachum and Mr and Mrs Peachum aren’t happy. Not one bit.
This marks the return of a production that Bristol took to its heart in both 2014 and 2015, and is set to delight a new generation of Kneehigh fans this summer.
The vibrant and violent underbelly of a gritty urban world explodes into glorious theatrical life in this revival of the critically acclaimed and extraordinary musical masterpiece from the ever-inventive Kneehigh.
Written by Carl Grose with original score by Charles Hazelwood and directed by Kneehigh artistic director and founder Mike Shepherd; Dead Dog in a Suitcase (and other love songs) is a radical re-working of John Gay’s scabrous satire, The Beggar’s Opera.

The production returns having enjoyed sold-out houses around the country when it first toured in 2014.
The versatile ensemble includes Rina Fatania (Mrs Peachum), Georgia Frost (Filch) James Gow (Musician & Mac’s Gang), Angela Hardie (Polly Peachum), Martin Hyder (Les Peachum), Dave Johnzy (Musician and Mac’s Gang), Giles King (Colin Lockit), Patrycja Kujawska / Lucy Rivers (Widow Goodman), Alex Lupo (Musician, Mayor Goodman & Mac’s Gang), Dominic Marsh (Macheath), Beverly Rudd (Lucy Lockit), and Sarah Wright (Punch Puppeteer and Mac’s Gang).
Grose’s savage political comedy propels along with Hazelwood’s pulsing score as the notorious urban assassin Macheath carves a swathe through a criminal world, dodging bullets and breaking hearts as he goes in this twisted morality tale for our times bursting with wit, wonder and weirdness.
Taking inspiration from Gay’s original, this bold re-telling shines a contemporary light on people’s capacity for corruption; confronting big business, corrupt institutions, urban myths and pilchards.

The live score plunders the sound of our times; trip hop combines with folk, ska with grime and dubstep to create a gorgeous and powerful musical mix.
To book tickets from £10 clcik HERE.

Angela Hardie as Polly Peacham in Dead D
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